Jake Sheff

Two Poems

The Prisoner’s Pastoral

 

You wouldn’t think to look at it, but Earth

is a perfectionist. The shepherd shears the sheep

down to their ruthless skin. The shepherd’s

lyre is morally electric, playing legless elegies

for me. The system’s less ashamed beneath

a sun just dying to see the dark. The river runs

like crazy in my family; hard and lazy. Time is

scarred, but getting power’s no good deed

among the bleating. Love is sharp, but has

the colors and contours of a tomato when

the cuckoos call. Forgiveness is a storm

on the horizon, frightening and shaped like

a horseshoe. Maybe in his shelter, someone’s

making love to howls. Or maybe in the rain

I’ll say, “I’m only consonants, and you’re

the vowels I need.” The earth soaks up

your grammar’s grime, but nothing rinses off

the crime, or puts a muzzle on the past. To bust

out of a bruised intelligence, the country folk

put on a play in masks, portray the short

and happy life of storms, which only know rebirth,

but to themselves are strange. “Big beginnings

have no friends,” they chant repeatedly, a punching

bag of words. They play the only game in town

the dead can win; a sort of art. No hats are blown

away; among inverted objects (there are so many!):

no umbrellas. But on the breeze –not given

to giving – meaning can be lost and found.

(The breeze can paint a portrait of an elderly man

as music if you ask it to.) The sheep are grazing,

but behind your back you see the girl from another

nature bathing. And time slows down, because

she’s naked. (It only speeds up when you are.)

You hear the voice of money in the trees; the trees’

machinery is sad, but good to know. The dogs

are barking at a shadow’s thrill. The light is

custard-filled, it won’t encourage you to blame

the world, or smash your lemons. Careful not to

offend the significant other of a friend, this feeling

never wakes to hear a woman say Yes, but with

an angel’s perfect rationale, counts sheep forever.

 

For Doña Gracia Mendes-Nasi

 

One of the wealthiest Jewish women of Renaissance Europe, she used her power and influence to develop an escape network which saved hundreds of Conversos from the Inquisition.

 

Elected in some other world, by waters

or hours wearing out your welcome, you

assimilated narrow smiles. (“What tears?”

you laugh.) Beneath your square of sky, the Jew

climbed iron spirals to your very tranquil,

metopic heart; a holiday in Ur.

I am your liquid declaration’s jonquil.

For I have seen state-sponsored moss inure.

You put the most intoxicating creases

in secret powers, strange subsidiaries

to love. Preparing for his next life, Croesus

disliked himself. Intruders’ diaries,

with somber, modern textures autumn eyes

in spring, you taught him fail to itemize.

 

Jake Sheff is a pediatrician in Oregon. He's married with a daughter and six pets. Poems of Jake’s are in Radius, The Ekphrastic Review, Crab Orchard Review, The Cossack Review and elsewhere. He won 1st place in the 2017 SFPA speculative poetry contest and a Laureate's Choice prize in the 2019 Maria W. Faust Sonnet Contest. Past poems have been nominated for the Best of the Net Anthology and the Pushcart Prize. His chapbook is Looting Versailles (Alabaster Leaves Publishing).

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